I know I missed my weekly post for Nick’s episode, but all I have to say on that is: I’m glad that the writers have recognised the blatant homosexual nature of rugby and proceeded to create a character and indeed an hour long show around that. We all feel better about ourselves now don’t we?
This week however it’s the turn of much more interesting character and ‘farm boy’ Alo. Apparently Bristol has whopping big farms in the middle of it now, it’s news to me, but I never was very good with geography. After a slightly bizarre series of wanking events, set to the only song ever to feature the sound of someone choking on cum, the story gets started.
I found myself wondering just how ‘special’ Alo was during in this episode and praying to god that he didn’t get together with Mini who is still in mourning over Nick, the bastard, who is still in mourning over Liv. It does seem like the last two episodes of this series could just dissolve into a primal rave/orgy while Franky takes the role of voyeur/pervert androgynous bi-sexual? teen. We’ll have to wait and see on that front I suppose.
Alo is an intriguing character though and he has what one could describe as a ‘banging’ dress sense, though he did appear to be naked for most of the 45 minutes of screen time. The music I found quite a strange mix for his character, the opening song by Furr was excellent and really quite captivating, but then it descended into a mass of dub-step and electronica which I found unbecoming for such an ‘alternative’ guy, clearly the young hip douche-bag who decides on the music, I believe his name is Kyle, knows something I don’t.
Skins is slowly getting into a pattern of letting us see the family more and while it may not be what the audience is used to it’s much better drama. The conflict between Alo and his parents was great TV and I almost cried a few times. I know, I do apologise, I’m young and don’t know any better.
Next week: Grace’y’ goes a bit thespian on us probably going crazy in the process, but hey at least Skins is delivering high-culture to the masses now-a-days.